That Drifting Poo Was Far Too Meaningful! It's the Television Letdowns of the Year.
As we reflect on the TV landscape of the past year, a handful of series emerge not for their excellence, but for their notable failures. Ranging from awkward spin-offs to confusingly bad docuseries, here are the productions that had us utterly bewildered or just reaching for the remote.
And Just Like That
Where to begin with this love/hate spin-off? Burdened with dreadful scripts, painful arcs (justice for Miranda!), and a mere 71 seconds of beloved Samantha, the show struggled to justify its existence. For a moment, as the third season began, it seemed as if it had at last hit its stride. Then arrived an installment all about Seema’s natural deodorant. Little surprise the showrunner declared this would be the final season. It ended on a low point; the lingering shot of Miranda’s loo full of poo was simply too on-the-nose. Yet, viewers certainly found joy dissecting every single “wtf?” moment. And as Carrie – a single woman once more – danced around her sprawling townhouse to Barry White, who didn’t let out a little sob?
All’s Fair
‘Can Kim Kardashian act? The answer is a resounding no.’
But that was almost the smallest of this show's issues. The subject of a exceedingly uncommon no-star assessment, it was hard to know where to begin listing the problems. The laughably wooden dialogue? The tedious glorification of wealth and materialism? The seemingly wilful parade of cliches? Acting so poor they felt borderline spiteful? Let’s just say “each and every one” and never speak of this show again. Except, a second season has been ordered, so we’re likely going to have to.
The Charlie Sheen Documentary
Given the legal troubles, domestic violence allegations and fatherly shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not that you’d truly have gleaned it from this three-part documentary which smirked its way at Sheen’s various bouts of self-destructive excess while struggling to tell us anything we weren't already aware of. Rather, it felt as if this loose cannon was being pandered to, so any sympathy this series might evoke should be reserved for the people who have had to suffer close contact with this charming but dismissive narcissist.
The Iris Affair
Naturally we understood it was ridiculous from the outset: a drama about a AI known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of pure admiration for its leads … but by the end, it felt like even they had stopped bothering. One scarcely cared when his character died, and the other ultimately hacking Charlie with an axe … in painfully slow-motion. Talk about giving up the ghost.
MobLand
Dodgy characters convening in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.
In truth, that is harsh on the crime shows of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t suffer the ignominy of having to indulge unconvincing dialects. But there were many other issues. Primarily that it was just profoundly dull; a dispute over narcotics territory between various London rogues which seemed rather simplistic.
The Meghan Markle Series
Considering the extent to which she provokes the ire of certain ostentatiously angry commentators, it’s temptingly easy to applaud the Duchess of Sussex’s televised ventures into quaint lifestyle as intentional statements. But then you watch them and are compelled to concede that actually, they may have a point. It’s like watching a homeware magazine come to life; a poster for wine o’clock with delusions of grandeur; a parade of sleeping dogs, humming beehives, Hallmark platitudes and pointless crafting “tips” you’ll not remember instantly. All supported by vast, mostly unearned wealth. Ugh.
The Beckham Documentary
There are clearly interesting things to be said about both Victoria Beckham and her struggles with career, identity, self-worth. But for some reason, this three-part series opted not to explore them. Instead, the viewing was like reading a sales catalogue. She clearly has good reason to bridle at what she describes as her “stern” image. But sadly, she didn’t do herself any favours with this guarded non-event of a series.
The Game Show
It had the potential to be the next big hit – except even camper, with a famous star playing dead and a sharp-tongued personality managing her inheritance. What more could you ask for? As players competed, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s still too confusing to explain what precisely was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The show ended up reeking of a programme that was straining desperately to emulate something far greater than it.
The Lena Dunham Romcom
How does one follow a show that captured a generation? The pressure was immense for this glitzy romantic comedy about Jessica, a hopeful New Yorker who lands in London with a broken heart. The lead actress took her biggest role by the horns and was joyous to watch, embodying Jane Austen levels of romantic ideals. But it was all very slick and, ironically, was not enough. Plus, the abundance of famous friends involved felt icky.
Mitchell & Webb Are Not Helping
Not even good enough to be ‘patchy’.
Given the shrewd inclusion of talented younger comics, expectations were high. But unhappily, most of it fell flat. A recurring sketch was a single joke milked to a dry pulp but repeated in every episode. One star seemed too willing to slip into a well-known irate mode. The writing room sketches, in contrast, simply provoked the idea that they should probably have stayed in there a while longer.
The Knox Dramatisation
This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively showcased the perspective of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the tragic 2007 murder, this isn’t it. The subject matter needed to be handled with care. Instead, the series laboured awkwardly to find the right voice, lumbering from oddly jaunty, somewhat mannered farce to inevitably, real-life horror. Complex? Arguably. A complete mess? Absolutely.
The Maths Genius Thriller
We love the star … but did we believe him playing the most brilliant maths genius in history, a man so intelligent he’s on the brink of a breakthrough that could ruin society? No! This international thriller about government agencies spying on – and killing off – academics honestly got more absurd by the second. Silliness-by-numbers.
1000 Men and Me: The Bonnie Blue Story
This hagiography followed the online personality notorious for explicit exploits as she prepared for her most extreme feat yet. What on earth would possess her? What we wanted was way more interrogation of her actual psyche, plus those of the men in the queue. They could at least have spoken to the now-famous mum who showed up to drag her son away from the queue. What we got was disturbing imagery and zero interrogation of her notoriety whatsoever. It's staggering to consider, the filmmaker has a young daughter too.